Since the Depht and Mix parameters of the Tremolo work almost the same you can link each to a different modifier. If you for example link one to the Envelope Follower and the other to the Pitch Detector you get a tremolo depht that is modified by both playing dynamics and pitch.
When using the Pulsewidth to create narrow level peaks the average sound level will decrease, even though the peaks are as high as before.
You can make more tremolo effects by linking LFOs or ADSRs to any Level parameter in the Modifier Matrix. You can even link a modifier to the tremolo's own Level parameters and get a second tremolo on top of the first one. If you use an ADSR to create tremolos you'll get the added benefit of the ADSR's ability to be triggered by the guitar signal.
You can also produce tremolo effects manually by turning your guitar's volume control up and down quickly, but be warned that low quality pots may wear out quickly when treated like that. The same goes for using a guitar's pickup selector as a tremolo (with one pickup's volume control turned down).
The panner in the G-Force is a mono input effect (unlike other mono input effects it always mixes both left and right input signals together). You can still make a stereo input panner from the Advanced Tremolo with its LFO Phase set to 180 degrees, or by linking LFOs or ADSRs to the two Line Levels in the Dual delay.
In a mono amp setup the panner will of course not work as intended. Instead the surround panner will sound like a complex/irregular tremolo, especially if you experiment with the Width and Center parameters, which can sound interesting.
You can make extra panners by linking LFOs or ADSRs to Pan parameters in the Pitch Shift and Delay effects.
Copyright © 1999-2016 Christian Jacobsson.